Scandinave Les Bains Vieux-Montréal is the newest addition to the Scandinave spa line-up.
Located in Old Montreal and close to the Old Port, the 12,000-square-foot spa is the first urban undertaking of the Scandinave team, spearheaded by Benoît Berthiaume, co-founder and executive VP of the Gestion Rivière du Diable group.
Occupying the ground floor of a restored former warehouse, Scandinave Les Bains Vieux-Montréal’s setting is less intimate than the rural settings of the first two Scandinave spas. The first corporate spa opened in 1999 in the log-and-stone cabin country of Mont Tremblant’s ski hills in Quebec, and the first franchise opened in 2006 in the Blue Mountain ski hills of Collingwood, Ontario.
The Old Montreal spa was designed by Montreal’s award-winning architectural powerhouse, Saucier + Perrotte, led by Gilles Saucier and André Perrotte.
The interior is somewhat sterile and cold with its open spaces and expansive surfaces of glass, marble, slate and limestone. In recreating the hot-and-cold “thermo therapy” of the “Scandinavian bath” experience, this spa is definitely closer to Reykjavik’s somewhat clinical Blue Lagoon than to the wood-paneled saunas of Finland.
Scandinave’s next corporately owned spa is scheduled to open late this year in the ski hills of Whistler, British Columbia, to be ready for the 2010 Winter Olympics. - Tuija Seipell
Bold use of colour has never frightened the 40-year-old, Lisbon-based architect Pedro Gadanho. The colour extravagance of the recently completed single-family residence in Oporto, Portugal, follows Gadanho’s established modus operandi of using white and bright colours as key elements of a space. The petrol-blue kitchen and sanguine stairway draw the attention while at the same time punching up the power of snowy white.
Colour played an important part also in the widely reviewed and admired Orange house he designed with Nuno Grande. The private residence was completed in 2005 in Carreço, Portugal.
Another example of Gadanho’s use of color is the high-profile Ellipse Foundation Art Centre in Estoril/Alcoitão, Portugal. He designed the 20,000 square-foot converted warehouse with Atelier de Santos. It was completed in 2006.
Gadanho’s thought-provoking architecture matches his overall attempt to provoke critical thinking about the relationship between architecture and current culture. He is known not only as an architect but also as a free-lance critic, curator and teacher. He’s taught architecture theory and history at Faculdade de Arquitectura da Universidade do Porto and curated the Portuguese presence at the 2004 Venice Biennale. And for those of us who like lovely names, his full name is Pedro César Clara do Carmo Gadanho. Tuija Seipell
Let's face it, most conventional medical interiors aren't exactly attractive. In fact, it wouldn't be surprising to discover that most people are allergic to the blandness and sterility of clinic interiors. Well the new Allied Health clinic in Melbourne, proves that it IS possible for health and design (and a bit of fun) to go hand in hand.
Accommodating the rather unusual combination of podiatry, physiotherapy, pathology, dietetics and psychology, the clinic feels like '2001 Space Odyssey meets late nineteenth century Victorian'. Designed by the Melbourne-based studio Chameleon Architecture, the interior juxtaposes elements of heritage, science and future. Ornate period details like crystal chandeliers, cornices, skirting boards and ceiling roses provide a classical backdrop. Exploring the idea of the medical as molecular, large glossy white molecules or futuristic pods are planted throughout the clinic, serving as consultation suites. Once inside the suite/pod, the mood changes again. The interior of the pod, from the walls, ceiling, floors to joinery, is clad entirely in plywood stained with a clear lacquer which enriches and emphasises the grain of the wood. So instead of looking pale under the normally cold and harsh light of clinical spaces, visitors here are instantly bathed in a warm, healthy glow without any treatment having even begun. - Jeanne Tan