The Cool Hunter, Roaming the globe so you're in the know
TAG: Portugal
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January 16 2009
Held between June 14 and September 14, 2008, the International Exhibition Expo Zaragoza 2008 is already a distant memory but its effects still reverberate.
The 25 hectares along the river Ebro near Spain’s fifth-largest city, Zarazoga, hosted thematic pavilions and thematic squares plus the pavilions of more than 100 countries, all exploring the overall theme of the Expo, “Water and Sustainable Development.”
Some of our favourite Expo mementoes are these spectacular images from the Portuguese Pavilion. Theming the Portuguese participation in the watery event, Lisbon-based Bak Gordon Architects envisioned a river’s ever-changing flow from its trickling source to a river mouth by the sea.
BAK created the pavilion’s spaces as versatile, changeable and changing surroundings for audience participation at levels of each individual’s choosing. The three main areas – Alert, Consciousness and Change – explored water and sustainability and featured a red “river” of pavement that helped the visitors track the flow of the exhibit.
From an alarming tubular “jungle” of Alert, to Consciousness where Nuno Cera’s photography highlighted the three mighty rivers of Iberia – Guadiana, Tagus and Douro, the visitor ended up in the hopeful Change, where the promising movement of citizens was depicted, literally, with the movement of images and words spoken in various languages. - Tuija Seipell
Photography by ultimasreportagens.com
February 1 2010
Casa no Geres, designed by Porto-based Correia/Ragazzi Aquitectos, has received its fair share of international awards and exposure, but we cannot help but show it off one more time. This is the first project by Gracia Correia and her new Italian partner, Roberto Ragazzi. It is a bold statement that hides nothing.
This is also a house that is easy to love from certain perspectives and from others; it looks quite unsuitable for its surroundings. From some angles, the house seems like an accident, some kind of a mishap with transportation containers and building materials. One part of the building is buried inside the hill while another sticks out over the river. It appears about to teeter off the hill at any moment, just waiting to land in its final resting place in the river.
The owners, Mica and Eduardo Pinto Ferreira, have been Correia's clients for more than a decade, and gave her carte blanche to create their dream house on the 5,000 square-meter site by the Cevado river - as long as no trees were cut and the 60 square-meter house (maximum allowed footprint for the site) was made of concrete. The house is located in Peneda-Geras National Park, along the Spanish border in northern Portugal, so the environment and its inviolability were crucial and the rules strict.
But looking out from the inside, the awesome beauty of the home becomes apparent. The simplicity of the structure, the openness of the views and the calm balance of the elements seems to speak the same language as the bleak surroundings. Nature has a way of being beautiful even when it is not, and this house knows that secret.
The warmth and proper scale of the building become even clearer when the illuminated house is viewed at night. It may look like it landed from some other planet, but it appears to be right at home now. - Tuija Seipell
January 11 2010
In 1984, Vodafone was a tiny UK startup. Today, it is one of the world’s leading mobile telecommunications companies with activities around the globe. Vodafone’s well publicized Portuguese headquarters is located on Avenida da Boavista in Porto (Oporto), the namesake of Port wine and Portugal’s second global city after Lisbon.
The super modern building was designed by architects José António Barbosa and Pedro Guimarães of Barbosa Guimarães Arquitectos.
The architects’ wish to reflect Vodafone’s credo “Vodafone Life, Life in Motion” lead to the creation of a building that challenges the static and appears to be out of balance. Three of the angular building’s eight floors are underground. The cross-section reveals an uneven footprint almost as if the entire structure had fallen from sky at a great speed and crashed itself into the earth where it now sits, only partly exposed and slightly disheveled.
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Indeed, the outer skin reminds us of a slightly unfinished origami project that will eventually become a scale model of a museum, the inside views bring to mind the many variations of angular, uneven and pleasantly unresolved spaces we’d seen at Hotel Silken Puerta América in Madrid, especially the rooms designed by Ron Arad, Zaha Hadid and Plasma Studio. - Tuija Seipell
