We became obsessed with inflatables ever since we created the Mini Inflatables. The reaction they generated told us that we were on to something – we were not the only ones crazy about them.
We wanted to see more, do more and create more of them, and as always, we wanted to see what ideas others could come up with. So we launched a competition and asked for submissions.
Tons of suggestions came in, one more imaginative than the other. But to us, many of them were too complicated and cumbersome, trying a bit too hard.
But finally, we can reveal the winning design. It is a masterpiece in minimalism and function created by Pablo Crespo Pita from Spain.
Pablo’s CHAT inflatable is a series of three models with unlimited ways to link and enjoy them. We love the flexibility, practicality and the juicy colours.
For two weeks only, you can now purchase the CHAT Inflatable from here.
Pablo's other entry and our favourite is Air Couture below
For many years, Pelletier has been researching and experimenting with methods of creating multidimensional portraits. Using his research in thermal imaging and MRI scanners as a technological basis and as inspiration, he started using Microsoft’s motion-sensing Xbox device, Kinect, to create cool artwork with a strong, edgy look.
Pelletier’s 3D images made of a sitting subject appear to be pictures of a metallic sculpture, strangely alive yet scarily cold at the same time. An updated C-3PO with a beating heart, perhaps?
Pelletier has participated in exhibitions and festivals around the world including the Netherlands, Canada, Finland, Spain, UK, US and Australia.
He is originally from Saskatchewan, Canada, and works currently at Random Studio in Amsterdam, the Netherlands. - Tuija Seipell
Size: 750mm x 1000mm - $750 EACH - Purchase here. Exclusive to TCH online store.
These designs are printed on metallic paper and mounted behind perspex for a dazzling and bold look. They can be wall mounted or free standing.
Once again, we find ourselves featuring the work of Masquespacio, the Valencia, Spain, -based studio with an eye for crisp, fresh interiors.
Masquespacio’s principal, Ana Milena Hernández Palacios, has been hard at work completing the graphic design and interior design for a just-opened language school with a minimal budget.
The 183 square meter (1,969 sq.ft.) language school called 2Day Languages is located in a heritage building in central Valencia. Its target audience is a 20 to 30 year-old international student for whom the school offers flexible learning options, cool surroundings and even a cooking class!
The space is divided into three class rooms, a staff room and a lounge. The colours and components of each space stem from the speech bubble/flag logo of the school. The three brand colours – blue, yellow and pink – represent the three levels established by the Common European Framework of Reference for Languages.
Additional influence comes from the neoclassical architecture of the building, new and old architecture of Valencia, and parts of the Spanish language.
We love the use of pine wood and crude-looking stackable and light-weight furniture. We love the semi-domestic feel created by this furniture, the casual cushions, lighting and plants.
The entire space looks inviting and friendly, yet the lovely skeleton of the grand building is visible in the plaster moldings, the height of the rooms and the gorgeous windows.
Particularly intriguing are the 10 frames of crafty nails-and-wool-thread artwork, created by Masquespacio and involving 6400 nails and 2500 meters of wool. Tuija Seipell.
Photography: David Rodríguez from Cualiti
Now that nobody prints hard-copy photos any more, Hamburg-based Twinkind would like to create a Little 3D You instead. A realistic, little you. Or your pet, or Mum.
A visit to their pop-up studio for a quick scan and then, after some technological wizardry that involves 3D printing and other newly developed techniques, you will be the owner of a little photorealistic sculpture anywhere from 15 to 35 centimeters (6 to 14 inches) tall and made of polymer plaster powder.
What makes Twinkind’s offering different from the other 3D printed sculptures currently available, is the speed of the initial scanning.
It used to take a long time (20 minutes in some cases) of standing (or sitting or whatever) very still to produce the detailed data needed for a realistic sculpture.
With Twinkind’s process, the scanning will take only a split second. And therefore, they can alter the results and rescan till you are happy with the image, and they can scan pets and kids and other objects that are not going to sit still for long. Prices, apparently, start from 225€ for the tiniest figurines.
Twinkind’s founders, Kristina Neurohr and Timo Schaedel, are experienced creatives. Neurohr is the co-owner of creative agency Lux von Morgen whereas Schaedel’s has developed commercials for international clients including Audi, Fiat and Panasonic. - Tuija Seipell.
We have covered the restaurant design work of the Gothenburg, Sweden-based Stylt Trampoli before when we wrote about Le Rouge in Stockholm.
We loved Le Rouge for the same reasons we are now loving Le Pain Francais, located along Gothenburg’s classy boulevard, Kungsportsavenyen.
The slightly mad scale and the magical distortion of proportions, combined with an elegant use of colour and texture, make the four-story restaurant into a fantastic experience.
Le Pain Francais is an established chain of French bakeries in Gothenburg but this is their first foray into a full-scale restaurant.
Stylt, the architecture and design firm known for its use of stories and narratives as a base for design long before it became common, has infused Le Pain Francais with an eclectic and not-too-serious grandiosity harkening back to the times when Paris celebrated Jules Verne and Gustave Eiffel’s tower adorned the entrance of the Paris World’s Fair.
Founded by creative director Erik Nissen Johansen, Stylt has designed restaurant and hotel interiors in Scandinavia for the past 20 years including the recent successfully crowdsourced and widely celebrated redesign of the Livingroom of Helsinki’s Klaus K hotel. - Tuija Seipell.
Should you be so lucky as to be asked to design a Film Museum, how would you feel? Most likely, overwhelmed. The many juicy aspects of the dream factory of film business make one’s head spin! The technology – from the first scratchy silent films to today’s 4D experiences. The genres – from drama and documentaries, to sci-fi and animated movies. And the intrigue and mystery of film as propaganda tool and promotional vehicle. The stars and the drama of their lives online and off. The various awards, the gowns and the glitter. Even the people behind the movie cameras – the directors, the movie moguls and the critics – all seem to carry an extra aura of glamour and fascination. Add to that the sets, the locations, the props, the car chases, cliff-hangers, fantasy worlds and the historical epics created and recreated through film. Indeed, no lack of material.
When Tilman Thürmer the German-born architect and founder of Coordination Asia (that we have covered before), was selected as the Art Director of the Shanghai Film Museum, he had “film” and “Shanghai” as his directives. No more, no less.
The Shanghai Film Museum, opened on June 17 and currently hosting screenings for the nine-day 16th International Shanghai Film Festival, is therefore a highly commendable feat in its minimalist yet immersive approach.
It’s goal is to celebrate and introduce to visitors the past and future of Shanghai’s involvement as the centre of Chinese film. The 15,000 square-meter, four-storey building is located in a former film studio in downtown Xujiahui.
The new museum involves more than 70 interactive installations and 3,000 historic exhibits. The visitors can ad-lib for famous Chinese films in a real sound studio, walk the red carpet, or Carpet of Light, or learn about animation, post-production, sound and live broadcasting in fully equipped studios.
Thürmer chose light and shadow, black and white, as the main themes, with grays and metallic accents referring to the silver screen, the film equipment and the glittering awards.
We especially love Thürmer’s involvement in the other aspects of the customer experience as well, not just the design of the actual space and exhibits. Too often this is all left to the last minute and not considered important. Yet the visitor interacts with people and with the entire experience, not just the walls and “props.”
Thürmer’s role as consultant and art director was extended to the communication design and operations of the museum. He created a visual identity and a graphic design concept, and consulted the museum on selecting and training the right team.
“The opening of the new museum is the start of a longer development process,” Thürmer says. “The coming year will be about professionalizing operations, visitor services and management. To me, this museum can be considered a success when it stimulates a new generation to identify with Shanghai Film. I will be satisfied when I see young people leaving the museum inspired, thinking: ‘The Shanghai film industry, that’s what I want to dedicate my future to.’”
We love this kind of thinking! -Tuija Seipell.
Billboards are meant to distract and annoy, to draw attention and to not fit in. In its recent on-street ad campaign, IBM promotes its People for Smart Cities Program with billboards that are even more invasive.
Ogilvy & Mather France took the concept of the board and bent it into shapes that could – with some effort – be seen as solutions for a somewhat smarter city, London and Paris in this case. A board bends to become a bench, a rain shelter or a ramp over stairs.
It is still visual clutter, it is still preaching something, but at least it is doing it with a bit more imagination than just pushing a loud message. How many citizens actually paid attention to IBM’s message on the street while perusing the practical benefits of the boards, we don’t know, but the social media attention this campaign is achieving has certainly worked its magic. We certainly found ourselves deep in the depths of IBM’s Smarter Planet, Smarter Cities site, reading white papers and studies about retail and merchandising. - Tuija Seipell
If you attended our Xmas pop up events in Melbourne & Sydney last year and missed out on some goods, we've now launched our online store exclusively for Australian & New Zealand readers only. We'll be updating the store weekly. (click on the images below)
Gilbert and Thierry Costes’s Parisian hospitality empire, Beaumarly, has produced yet another entry: Café Français at 1, Place de la Bastille.
Facing the Opéra, the Café Français includes a brasserie, a bar, a veranda and a terrace, and takes up almost an entire block, form Boulevard Henri IV to Rue Saint Antoine, making it one of the largest establishments of its kind in Paris.
We love the juicy leather seating, seemingly bursting out of its form and showing off the French national colours. Counter-balancing the roundness of the seating are the classic hard and reflective materials: marble, mirrors, terrazzo, brass and copper leaf with the black-and-white colour scheme bringing out a contemporary feel.
Topping the two dining rooms is yet another of our favourites: the blue sky mural on the dome. It adds whimsy and colour and makes the large rooms appear even larger. Dramatic arches and alcoves create separate seating areas without breaking the overall flow of the space.
Artistic design of the space is by veteran Thierry collaborators, India Mahdavi, and Mathias Augustyniak and Michaël Amzalag of M/M (Paris) Studio. Chef Pascal Lognon-Duval presides in the kitchen. - Tuija Seipell
A rear of a small inner city Melbourne pub has been transformed from a tiny add-on back extension into a voyeuristic playground by Techné Architects. The clever rethinking of the space has effectively turned the 130m2 back area of The Prahran Hotel into 300m2 over three levels.
The star of the design is a series of 17 ½ concrete waterpipes. These concrete culverts dominate the striking street façade.
For architect Justin Northrop, the pipes add a lot more than drama to the hotel’s exterior. “Inside you are climbing over the pipes, sitting in them, or on them at various levels. They have a lasting impact on the space.”
Guests can sit in booths inside the pipes. “We were looking for a sense of drama and theatricality,” says Northrop.
Booths can be seen from the street, and throughout the interior of the hotel. Each booth, that seats up to 12, features leather upholstered banquettes and is lined with recycled spotted gum slats and acoustic absorption mats. “The voyeuristic nature of these pubs is very important, the way the space is connected visually,” says Northrop.
The project is the fifth pub collaboration between Techné and hotel group Sand Hill Road (SHR has pubs around Melbourne and moonlight as successful film producers). Pub Group’s Matt Mullins was not trying to create a gastro pub. “I want it to be accessible, for locals, for neighbours,” he says. At the same time, the close collaboration with Techné in the past meant Mullins was more than open to left-field design ideas. The main bar features salvaged pipes, concrete cast lamps and plantings by Ayus Botanical.
Guests can choose between three levels; the ground floor mixes polychromatic textured tiles and spotted gum floorboards, with a light-filled courtyard and street views. The courtyard features a striking nine-metre trapezoidal concrete wall, that has a corrugated effect and porthole motifs.
The natural materials and soft upholstery take the edge of the concrete, steel and glass used in the interior. (Even the banisters are covered in leather for a luxe, surprise element.)
The 12-seat VIP area sits atop a giant water pipe, feeling suspended over the space. A key criteria of the design was to ensure that patrons always have a vantage point from wherever they are in the space. “It’s great for voyeurs,” says Mullins. An exception to the open-plan approach is a sunken seating area, known as ‘the lair’, below stairs for patrons who want to stay under wraps.
At its core, design “is about conviviality” says Northrop. “It’s providing people with opportunities to interact in non-standard ways, a whole variety of seating and gathering.” To make sure there is space for serious partying, one long table on the ground floor can be dismantled to make way for an impromptu dance floor. Northrop made sure the redesign featured a serious DJ deck. “Afterall pubs are not meant to be places of calm and reflection,” he says. Indeed. - Emily Ross
Photography: Peter Clarke