Kids

June 18 2011

Most hotels are decidedly kid-unfriendly, and even more so are hotels such as Jerusalem’s David Citadel Hotel, known as the home-away-from-home for the world’s celebrities and political leaders.



So, it is doubly delightful that this citadel of grown-up matters of importance now has a wonderful new kids’ space, designed by Sarit Shani Hay whose work we have presented before here and here.


 
Hay is responsible for the interior and furniture design of the 100 square-meter (1076 square-foot) space that has activity areas for little kids and computer desks for bigger ones.



We love the inclusivity of the room that is divided by clear blocks of primary colours. It has both angular and rounded forms, open and intimate spaces, soft and hard surfaces, items to interest both boys and girls, activities to draw little and older kids, and low-tech items such as wooden toys mixed with higher-tech elements such as computer stations and flat screens.



In this decidedly modern playroom, Hay has incorporated also some traditional Jerusalem themes, including the lion – the emblem of Jerusalem – and a windmill, cave and the Mahane Yehuda.



The horseshoe-shaped, 384-room David Citadel Hotel, located  within walking distance from the Old City, was built in the mid-1990s by local real-estate and hotel magnate Alfred Akirov. The building architect is Moshe Safdie and the hotel designers Chhada Siembieda & Associates. - Tuija Seipell.

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Art

June 14 2011

New from our favourite French artist - Francoise Nielly

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Bars

June 11 2011

Standing out in Abu Dhabi takes more than clever gimmicks. Among the opulence of luxury hotels, lavish restaurants and all other forms of pampering and spectacular entertainment – including Ferrari World and a few breathtaking golf clubs – being merely great is nowhere near enough.


 
The legendary Cipriani Group is one of the brave enterprises that has recently entered the competition for the attentions of the demanding super-elite clientele.

Cipriani’s nightclub, Allure, at the Yas Island Yacht Club on Yas Island, has a few features that warrant at least one extra bat of even the most worldly of eyelashes.


 
The night club’s location is one such feature. Allure overlooks the water and extravagant super yachts of the Yacht Club. It is also connected by a bridge to magnificent five-star The Yas Hotel. But the most amazing part of the nightclub is the view. What you see from its balcony is a real Formula One™ race track.


 
Designed by Orbit Design Studio (Bangkok, London and Singapore), Allure is divided into The Main room adorned with gold leaf and bronze cladding, and The Terrace that overlooks the race track.


 
Orbit has also designed the Sound Phuket night club we’ve featured, the Bed Supperclub in Bangkok, and many other luxury bars, clubs and restaurants designers throughout Asia, the Middle East and Europe. - Tuija Seipell

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Food

June 9 2011

Dining in the sky is so last decade, but how about dining under water? And if submarine supper is your thing, wouldn’t you want to experience it in one of the world’s top diving destinations, the Maldives?
 
Anantara Kihavah Villas unique underwater restaurant, Sea, is part of a quartet of culinary experiences aptly named Sea, Fire, Salt and Sky — each with its distinctive cuisine, atmosphere and location.
 
Sea offers Mediterranean buffet lunches and a degustation dinner with stunning views of the sea life in the channel. Sea is also a wine cellar stocked with 250 labels representing 14 countries, and serving more than 20 labels by the glass.
 
The luxury resort is located on Kihavah Huravalhi Island in the Maldives, half an hour by seaplane from the Male International Airport. Anantara Hotels, Resorts & Spas is a group of 15 luxury properties in Thailand, the Maldives, Bali and the United Arab Emirates with near-future openings in Vietnam, China, Bali, Thailand and Abu Dhabi. - Bill Tikos

Events

June 8 2011

Simple ideas meticulously executed make a big impact in Glocal Design Magazine’s trade show booth presented at the May 2011 Habitat Expo in Mexico City.

The 258 square-foot (24 square meter) exhibit was created by Mexico City-based ROW Studio, a partnership between Álvaro Hernández Félix, Nadia Hernández Félix, Alfonso Maldonado Ochoa.

The sponsor of the construction and material for the booth was Masisa Mexico, a leading manufacturer of MDF panels in Latin America. Masisa was looking to showcase the versatility of its 15mm DecoMDF Masisa panel, covered on both sides with a decorative foil in a wide range of colours and designs.

We love the way ROW’s creative team of Luis Larumbe and Daniel de Leon used fluid and undulating forms making the hard material seem pliable and inviting. We also love the use of colour, and the cocoon-like enclosure – all fitting qualities for a design magazine. - Tuija Seipell.

See also:



Pencil Fair Stand


Grazia Magazine Pug Balloon Stunt

 

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Architecture

June 2 2011

IIdeally, wouldn't we all like to live in a climate where outdoor living is possible year-round? And wouldn't we love to live in a space where the divide between indoors and outdoors is non-existent? São Paulo-based Fernanda Marques achieved this idealistic balance in her Loft 24-7 residence, presented at the CasaCor exhibition in São Paulo, Brazil.



In the 250-square-meter (about 2,700 square feet) space, Marques has erased the barriers by using "outdoor" elements inside and "indoor" elements outside and creating easy visual links between the two. Limestone, rough stone, steel, glass, wood paneling and furnishings that speak to the architect's modernist style, all create a harmonious, seamless environment where you are never quite in and never quite out.



Fernanda Marques is the chief architect at Fernanda Marques Arquitetos Associados that is involved in both residential and commercial architecture, interior design, furniture design and real estate. - Tuija Seipell.


Kids

June 1 2011

As we continue to wonder why so much more time, energy and attention is lavished on adults' play and entertainment spaces than on kids' play and entertainment spaces, we sometimes find a cool spot worth mentioning.

The "sculptural playground" Schulberg located in a formerly neglected area overlooking the historic centre of the city of Wiesbaden in Germany, is one of such great kid-friendly environments. It is both kid- and adult-friendly and big enough to hold even the most active kid's attention for several visits.



Designed by Berlin-based ANNABAU Architektur und Landschaft, the pentagon-shaped play area mirrors the city's historic shape. The playground consists of three elements: A suspended net walkway loop supported by two undulating lengths of stainless-steel pipe; an artificial landscape created inside the loop; and a wide boulevard with benches outside the loop. - Tuija Seipell.

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Events

May 29 2011

When we saw this great idea in Montreal, Canada, we immediately thought how wonderful it would be if city councils around the world took this on as a way to draw attention to Breast Cancer Awareness Month! The cause deserves this kind of prominence.



However, this presentation by landscape architect Claude Cormier is not for breast cancer awareness. It is part of Aires Libres a summer-long  celebration that has turned the street to a pedestrian-only mall of arts and culture. Aires Libres will end September 12, 2011.

Pink Balls/Les Boules Roses consists of more than 170,000 pink balls hanging over a 1.2 km distance from Berri to Papineau Street in Montreal’s Sainte-Catherine Street East Village.



There are three sizes of pink plastic balls, stretching over the street in nine sections, each with its own pattern. Pink Balls was produced by Impact Production in partnership with Société de développement commercial - SDC du Village. - Bill Tikos

Offices

May 27 2011

Berlin and Shanghai-based COORDINATION ASIA has just migrated its Shanghai office from an old textile mill to a glass-company headquarters. The former office was located on the banks of Suzhou Creek at No. 50 Monganshan Road in an old textile mill now known as M50 and housing a mix of creative businesses, cafes and restaurants.


 
COORDINATION ASIA’s new digs are located in the former headquarters of the Shanghai Glass Company at Huangpi Road 688, a building waiting for complete renovation in 2012.


 
COORDINATION’s CEO Tilman Thürmer, now more or less permanently located in Shanghai, says he misses the artistic community of M50, but loves the downtown location and the cool vibe of the new space.


 
The team at COORDINATION created a sleek 300 square-meter home for itself among the crazy “old-style European mansion” decor that was the result of a renovation in the 90s. They kept the marble, hardwood, built-in bookshelves, hidden storage, weird ceiling molding and the odd mix of ceiling light fixtures but covered most of it with black paint, a colour prominent in many COORDINATION projects.


 
The result is an elegant and artsy creative space that could be mistaken for a completely customized environment. - Tuija Seipell.

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Design

May 26 2011

Shanghai’s shiny new Museum of Glass opened last week as part of Shanghai’s campaign of becoming a globally important cultural and creative centre by launching 100 museums in a decade.

Shanghai-based German architectural firm Logon handled the architecture and exterior of the museum. Germany’s Glashütte Lambets supplied the enameled glass used for the museum’s façade inscribed with glass-industry terms in ten languages.

COORDINATION ASIA, also based in Shanghai, was in charge of the overall museum concept, art direction, design and  supervision of the museum interior. It was also the chief consultant for curation, marketing and operation, as well as coordination of an international team of architects, artists, designers, filmmakers and multimedia specialists.


 
COORDINATION’s Tilman Thürmer tells TCH that they used black lacquered glass for the interior (cases, floor, furniture, walls), but left the existing structure untouched. The museum building is a former glassmaking workshop, one of 30 former bottling-plant structures that the Shanghai Glass Co. still owns.


 
The black, sleek glass of the interior reflects the LED lights and screens positioned throughout the space, creating a shiny and glittering multi-dimensional feel. This emphasizes the interaction, interdependence and influences of periods, continents, materials and peoples involved in the art, craft and industry of glass.


 
The design of the space and exhibits and the use of various media help create an interactive and participatory museum experience where the visitor is directed through the story of glass.


 
“Designwise, we wanted to create a piece of black crystal glass. Sparkling, reflecting, sleek and deep,” Thürmer says. - Tuija Seipell.

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