The cool story of David Webb, jewelry designer since 1948 to elite stars, socialites and others who love bold statement pieces, continues beautifully today.
With the 2010 change in ownership – from the Silberstein family to Sima Ghadamian, Mark Emanuel and Robert Sadian – the New York tradition has managed to hold the attention of the luxury jewelry buyer from Jacqueline Kennedy Onassis and Elizabeth Taylor to Gwen Stefani and Jennifer Lopez.
The most recent buzz around David Webb is not about the iconic pieces’ animal and other organic forms or the incredibly rich settings of precious stones, but about the design of the Madison Avenue Flagship boutique, above which the artisans still work in the in-house atelier.
Designed by architect Peter Pennoyer with interior design by Katie Ridder, the boutique seems more like a mansion or series of salons, and less like a store or showroom. With prices starting at $4,000, the David Webb pieces require surroundings that are both luxurious and intimate. Pennoyer and Ridder have achieved an edgy ease that lets the jewelry remain the center of attention. - Tuija Seipell
We have a weakness for geometric patterns, especially ones that also carry a slightly retro sensitivity. The harmonious Winter 2012 collection of the Australian up-and-coming label, Secret Squirrel, fits the bill perfectly. The triangle patterns are beautifully tone-on-tone, yet they have a nice retro edge that evokes thoughts of earlier times, maybe even as far back as the 30s? Somehow we find ourselves imagining Greta Lovisa Gustafsson, a.k.a. Greta Garbo, wearing these. Yet these deliciously flimsy and funky skirts and tops are totally fit for today.
This lovely time-travel in the form of clothing is part of the magic with which Sydney-based couple Bri Cheeseman and Andrew Prince has been wooing all sorts of celebrities to their label. Currently available only in Australia and online. - Tuija Seipell
Just like fireworks, originally used in celebrations to reach up to and greet the spirits in the sky, this LED-light cathedral aimed VERY VERY high! We’re not sure if it was visible from space (or higher) but it certainly glowed brightly.
More than half-a-million people were drawn to the Luminaire De Cagna LED-light display at the 2012 Light Festival in Ghent, Belgium. Luminaire De Cagna became the main attraction of the Festival that included more than 30 other displays and exhibitions.
Constructed of wood, covered with 55,000 LED lights and reaching 28 meters (92 ft.) into the sky above Belfortstraat, the Romanesque cathedral-like Luminaire De Cagna used only 20 kWh of energy.
Luminaire De Cagna is an Italian family business that has created light displays since 1930. They started with oil and carbine lights, moved on to electric and, since 2006, have used LED-lights exclusively. - Tuija Seipell
Is it visual art, audio art, a sculpture, a product, a machine? Byoungho Kim's works could be described as all of these. They are visually stunning, make sounds, have a sculptural quality and they are manufactured just like any other highly-engineered industrial products.
Born in Seoul, Korea, in 1974 Kim has explored the edges of art and product, sounds and visuals throughout his career. As his sound sculptures have no “practical use,” they are defined as art but their intrigue lies in the technology behind them.
The two lighting fixture-like pieces we are featuring are made of aluminum and they use both piezo and arduino technology. A piezo is an electronic device that be used to both play and detect tones. arduino is a popular open-source single-board microcontroller. None of this means much to most of us, but the result — sounds being emitted and changed by the sculptures — is fascinating.
The rounded Soft Crash (330 x 330 x 165 centimeters, or 130 x 130 x 65 inches) was one of the pieces on display at Kim’s solo exhibition at the end of 2011 at the Arario Gallery in Seoul. The second piece, from 2010, is called Horizontal Intervention (96 x 280 x 25 cm, 38 x 110 x 10 in.)
Byoungho Kim describes his pieces as “constructed fantasy” that expresses mankind’s continuous pursuit of new desires. - Tuija Seipell
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Toronto’s latest TA-ZE store, at 120 Adelaide Street West, is only 800 square feet in size, but it is airy and uncluttered. TA-ZE is a chain of retail stores focusing on premium olive oils and related product.
Ta-ze means fresh in Turkish, and the company is rooted in the long traditions of olive-oil production. Its product comes from six provinces in the Aegean region of Turkey, from 33 co-operatives that include more than 28,000 olive producers.
The purity and clarity of the oil is reflected in the minimalist store concept designed by Toronto-based Burdifilek, led by managing partner Paul Filek, and creative partner Diego Burdi. They are also responsible for retail design for W Hotels, Holt Renfrew department stores, Club Monaco and Joe Fresh, among others. - Bill Tikos
Wine tasting is passé and the English have already perfected the High Tea, and nothing surpasses the Japanese tea ceremony. So what’s next? The creative minds at L'Hôtel de Vendôme in Paris set their eyes on “High Coffee.” They don’t call it that, but it certainly looks and feels like it.
Every afternoon, superior gourmet coffee varieties are served according to the expertise of France’s Best Roaster of 2011, Antoine Netien, and Tom Clark, owners of Paris’s high-profile Coutume Café, and importers and roasters of vintage coffees.
Enticing the coffee-drinkers to elevate their experience to a sinful level of indulgence are dainty carts full of mouth-watering sweet delicacies created with the supervision of Luc Debove, Chef Pâtissier of the Grand Hotel of Cap Ferrat, that belongs to the same group as 1 Place Vendôme.
This culinary extravagance is served in the hotel’s deliciously prissy first-floor restaurant, 1 Place Vendôme with its magnificent views of the Place Vendôme. When the restaurant opened in 2009, it was Florence-based architect Michele Bönan’s first restaurant and hotel project in France.
Bönan created a completely customized, elegant setting in a couture-style theme with silver-studded black-and-white hounds’ tooth chairs, plush silk and velvet sofas, silver satin curtains, and cushions of pink silk satin with black and white ribbed motifs.
And to amplify the luxurious effect, all this is contained in a space with virgin-white walls, floors and ceilings. All furniture and fittings, including curtains, cushions and carpeting were custom-designed by Bönan and manufactured in Florence from fabrics by the Italian fabric house Dedar. - Tuija Seipell
Based on Dr. Seuss's final book (Oh, The places You'll Go) before his death, this is a story about life's ups and downs, told by the people of Burning Man 2011. Genius idea Teddy Saunders
Is there anything that Marc Newson hasn't designed? We are running right out of superlatives describing one of his fairly recent collaborations, the Aquariva by Marc Newson luxury yacht. We tried looking away, yet here we are, talking about it.
Everything about the ridiculously cool and expensive arrow-of-a-speed-boat is a bit much. Yet it is also deliciously good-looking in its faux mahogany, retro turquoise upholstery and overall 60s vibe.
To create the Aquariva, the Australian-born, London-based mega-designer collaborated with Officina Italiana Design of Bergamo, Italy. It is the studio that for the past two decades has been in charge of designing yachts for Riva shipyards, established in 1842 by Pietro Riva. Riva is one of the brands in the Ferretti Group portfolio.
Aquariva by Marc Newson was introduced last fall but paraded again at the beginning of this year not at a lowly boat show or even a luxury yacht salon, but Arte Fiera, the 36th annual, historical art fair in Bologna.
Only 22 of these beauties were manufactured and they are sold though the New York-based Gagosian Gallery and also by Riva dealers, apparently at $1.5 million. The sales pitch is no doubt rich with superlatives and absent of the word recession. - Tuija Seipell