We love the global cool design sensibility of Casamidy products. It is firm that combines that design sensibility with a deep respect for traditional craftsmanship. All products are designed by the founders, husband-and-wife team Anne-Marie Midy and Jorge Almada, and manufactured by more than 40 artisans, artists and craftspeople in San Miguel De Allende, Mexico.
The materials – iron, leather, tin, blown glass, wood – are turned into timeless and distinctive furniture and furnishings- seating, tables, shelving, lighting, headboards, mirrors and other accessories. The team has created customized pieces for numerous interior design firms in Europe and the U.S.
Midy is a French born graphic designer who worked for Martha Stewart Living. She met the Mexican-born Almada when both were studying design in the U.S. They moved to San Miguel De Allende and established Casamidy in 1998. They currently reside in Brussels where they also have a showroom for Casamidy with weekly deliveries to London and Paris. - Tuija Seipell.
We love this particular series of abstract paintings by French artist Gerard Stricher. There is a fantastic mix of nature and industry in them.
We see waterfalls and ships at sea, cities and factories, all dynamic and slightly dangerous yet somehow limitlessly beautiful. Dreamlike, not nightmarish. Stories full of drama and feeling. Perhaps his one-time studio, an old mill in the French Vexin, has given him inspiration for some of these.
The 65 year-old abstract painter creates mostly large-scale works of vibrant colour on multiple themes, including people as seen here.
Stricher has become better known in the U.S. in the past few years and he is now represented by Gallery Schwab Beaubourg in Paris and the Canfin Gallery in New York where his work will be exhibited this May. - Tuija Seipell
High Tea at fancy hotels has long been a favourite of not just the Royals and the ladies who lunch, but even tourists glamming it up and gladly handing out their credit cards for a bit of high-brow fabulousness.
Wine Tastings and High Coffee came next, served and imbibed in various degrees of decadence and glamour.
But the stakes are getting higher and the temptations harder to resist. The Landmark Mandarin Oriental hotel in Hong Kong is now serving a L900 Jimmy Choo package but only till early May. It includes afternoon tea for two at the MO Bar where the expected fare is served: cucumber and smoked salmon sandwiches, the Mandarin's famous ginger scones and clotted cream, and macaroons in a multitude of flavours, but it is all meticulously handcrafted in exquisite shoe and handbag shapes. Jimmy Choo, of course. And after the tea, you can check into the Mandarin 9200 square-foot L900 Suite for a night and select a pair from Jimmy Choo's new 24:7 capsule collection. Price tag for the splurge? Approximately $1,500 US. - Tuija Seipell
Not your typical weekend cottage, LM Guest House in Dutchess County, New York, is a study in minimalist elegance. The 2,000 square-foot (approx. 187 Square meter) house was designed by New York-based Desai/Chia Architects on the private client’s working farm that had no existing buildings.
What must have been a rather sizeable budget gave Desai/Chia Architects’ founders, husband and wife Arjun Desai and Katherine Chia, an opportunity to create an updated interpretation of the iconic Farnsworth House, that Ludwig Mies van der Rohe completed in 1951 in Illinois.
Although Farnsworth House was considered by some at the time to be cold and characterless, an aquarium or a pavilion rather than a dwelling, it has held its place steadily as a superior example of understated sophistication and as a timeless expression of van der Rohe’s desire to create balance and discourse between the indoors and the outdoors.
Similarly, the LM Guest House allows the residents an expansive view of the landscape by framing it with the triple-pane glass windows that are 20 feet wide and more than 10 feet high.
And although the LM Guest House is deceptively simple in appearance, it is a marvel of engineering and sustainable features. Geothermal heating and cooling, radiant floors, natural ventilation, motorized solar shades, photovoltaic panels and rainwater harvesting for irrigation, are just some of the examples of how this modern retreat attempts to fit in with the surrounding nature rather than conquer or harm it.
The property’s landscaping follows the same philosophy. Native plants frame the views and provide privacy while also managing storm water run-off. The bluestone slabs excavated from the site are used in the outdoor seating, pathways and terrace. Indoors, in addition to glass, the main materials include American white oak that is used for sliding panels, floors, ceilings and built-in furniture. - Tuija Seipell
We are on a quest for truly transformed urban spaces. We are looking for instances where a council, city, town, municipality has taken the initiative, come up with the funds and actually transformed a mediocre, unused, ugly space into an inviting and fun public environment.
The spectacular reincarnation of High Line in New York from an impossibility to a cool urban environment comes to mind. Or the transformation of an ugly view-blocking concrete barricade between skyscrapers and beach to a colourful seaside promenade at Paseo Marítimo de la Playa Poniente in Benidorm, Spain.
Or the 324 meter-long meandering bench (world’s longest, apparently) by Studio Weave on the seafront at Littlehampton in the UK. It is not just a bench, it is an experience and an environment.
Or Copenhagen’s Skuperkilen neighborhood, where in a decidedly urban and straight-forwardly artificial way the designers and planners at Topotek1, Bjarke Ingels Group and Superflex invaded the entire available space to create a delightful expression of the various cultures and backgrounds represented by the area’s residents. Superkilen received the Institute Honor Awards for Regional and Urban Design by the National AIA Awards 2013.
We need more councils that have the vision and passion to do these things. We need people to demand and rally for them, and we need visionary designers, architects, planners and artists to design and propose and speak for them. Let’s just do it!.
The offices are located on Stockholm’s luxury power-shopping boulevard, Birger Jarlsgatan, in the two loft floors of building number 9 where the street-level occupants include Agent Provocateur.
Medge is a consultancy in sports rights management, TV distribution and media operations, so it is appropriate that their 180 square-meter (1937.5 sq.ft.) digs are testosterone-induced. Dark half-paneling with its English Gentlemen’s Club vibe gives a nod to the company’s other office in London and draws the line between traditional (below) and modern (above).
A hideously ugly reddish upholstered couch/sofa in a corner seating area, and the heavy iron bars and wood beams in the ceiling give off a sense of a confidence and strength. We love the use of white paint in the uppermost areas as it contrasts powerfully with the black, and opens up the space to the skylights. Tuija Seipell.
We have written about a Nike store display by the Finland-born, Amsterdam-based illustrator Kustaa Saksi before, but this time, it is his fantastical paper display at the Stockholm Furniture and Light Fair that drew our attention.
Saksi and Swedish architect Gert Wingårdh created the breathtaking display for the Fair’s third annual combined exhibition and talk show area called Hello!
The project is an initiative by the Fair to inspire and start a conversation about contemporary and future workplaces. This year’s theme was Communication.
Saksi created the intricate and delicate display from 1120 stacks of A4-size paper (total of 700,000 sheets of paper) suspended from 44,000 points in the ceiling. Ceiling frescoes, church domes, altars – these were all part of the inspiration for Saksi and Wingårdh who concluded that paper is still them most commonly used means of communication and therefor the perfect material for the display.
The Finnish forestry and paper giant Stora Enso donated the paper for the space that also hosts uses seminars and panel discussions. Tuija Seipell
Photos by Tord-Rikard Söderström
Not that anyone really needs a watch to check the time. We all carry more than enough devices that inform us of the time, or more commonly, the lack thereof.
Maybe that is why there is a nice retro feel in the whole idea of wearing a watch. I dare you to rush me! Let me just check the time on my watch and see if I care to rush!
We are certainly fans of cool time pieces here at TCH, so when we were introduced to the Melbourne-based AÃRK Collective our interest was immediate.
We love the minimalist, serious craftsmanship of not just the watches and every detail inside and out, but also the packaging.
The attention to every detail honours the craftsmanship, the timeless craftsmanship, of the entire experience. These are not jewellery or pretentiously magnanimous investment pieces for sheer show-off.
These are practical yet beautiful. Form and function. Minimalist and cool. Just what we love. We’ve ordered our Yolk Yellow watches. Now, if only time would fly a little faster…Tuija Seipell
Rope, wood and 39 foam board flowers decorated with fashion patterns. These were the elements of a display of Spanish children’s shoe brands at the 76th annual children’s fashion fair, FIMI (Feria Internacional de Moda Infantil) in Valencia, Spain, at the end of January.
Valencia-based design studio Masquespacio with designer Ana Milena Hernández Palacios at the helm of the project, was charged with creating a stand-out exhibit for the shoes amid the colourful children's fashion exhibitors. They needed to achieve the results by using either materials already in the Fair’s warehouse or materials that could be manufactured at a low cost internally.
Foamboard and vinyl became the key elements for the two-sided flowers, clouds and circles, hand-cut by the fair’s sign makers. When suspended from the ceiling with nylon line, the pastel-hued mobile twirled lightly in the space.
The trees at either end were part of an earlier exhibition, but reused for this stand as a place to hang the information of each of the 39 participating brands.
We like the overall effect of juicy warmth and crafty playfulness achieved with very few elements yet expressing an idyllic child’s world effortlessly. The shoes appear as if they were an afterthought, which makes the display even more appealing, considering that the fair’s visitors were seasoned children's fashion experts who were perfectly capable of zeroing in on the shoes without the display pushing them in their faces. Tuija Seipell
Exposition: David Rodríguez from Cualiti